I’ve been on the road nearly constantly of late, traveling through Australia and Southeast Asia including Malaysia, Vietnam and India. The response to my 3D camera workshops has been overwhelming with shooters and producers emerging from seemingly out of nowhere to grasp the 3D gold ring. This response while intense across Asia has been somewhat more tepid across North America and Europe and I wonder why. This may be simply attributable to the poor economy in the US and elsewhere, but I think it may be something more. The Asian market seems much more willing in general to embrace new technologies. The cinema in general here, especially in India is also much stronger, offering a ready and eager vehicle for 3D Bollywood grandeur and glitz.
Beyond feature film production I’m also seeing a surge of interest in 3D from travel and tourism concerns, museums, and even wedding and event producers who seem eager to offer 3D programming. This is in Asia. This trend while taking root now is nowhere so apparent in the USA and Europe, where the current DSLR fad and the allure of a narrow depth of field still appears strong.


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