Depth of Field: Why is Less Better?
3D cinematography usually requires maximum depth of field so a camera with a relatively small 1/3 – 2/3-inch imager can be a major advantage.
3D cinematography usually requires maximum depth of field so a camera with a relatively small 1/3 – 2/3-inch imager can be a major advantage.
For accomplished cameramen and women shooting run-and-gun with the latest compact HD camcorders can be an exercise in frustration. Network broadcasters and news magazine shows including the top brand names with millions of viewers are turning more and more to these (relatively) cheap cameras not just for the occasional B-roll or specialty shot but for […]
Understanding the basics of focus and convergence is integral to shooting competent 3D programming.
Accomplished shooters need a good editor or at least another set of experienced eyes.
Karim Soliman’s Sketch is an amazing display of video storytelling craft captured in mere four hours on the outskirts of Cairo March 2010.
NAB 2010. I’m in Las Vegas now strolling the Strip with Panasonic’s new one-piece 3D camera. It’s my second night out, and while my 3D skills are improving I’m finding the whole experience rather humbling with only a few usable shots mixed in with a lot of rubbish. In the first place the Panasonic AG-3DA1 […]
Cash-poor countries from around the world could benefit and save money from the adopting tapeless cameras and workflow – if they can somehow afford the price of the initial investment
When shooting 24p it’s important to know your desired timeline basis in the NLE. You can edit 24 frames per second “over 24”, or 24 frames per second “over 60” for best compatibility with broadcast and web applications. To avoid unnecessary rendering make sure you’re right!
The fate of today’s accelerating 3D trend is an open question in my mind, and I am really hoping for guidance from you on this one. On the one hand Panasonic (and others) will almost certainly be introducing simple and affordable 3D camcorders in the coming 18 months. The plastic mockup of Panasonic’s 12-bit AVC-Ultra […]
Despite the economic challenges, 2010 will offer new opportunities for shooters willing to recognize and embrace the versatility and performance of their imaging tools.